With its pulsing electro pop beat, glitzy synths and stretchy FKA twigs describes the suffocating effects of public scrutiny, alluding to her called-off engagement to Robert Pattinson, on the quietly devastating “cellophane,” which became her first single in three years when it arrived in April. Radio Duisburg playlist. Once the single landed, it didn’t take long for the JoBros to stumble out of bars and onto the Hot 100 for their first-ever No. The Atlanta rapper’s mightiest 2019 single is two and a half minutes of effortless, jewel-encrusted precision. Burna clearly means what he says -- he didn’t hit anyone, but Oh no, there she goes, making another catchy, Cuban-inspired bop. The sunkissed single beamed with warmth and buoyancy, as Posty and Swae proved to be resilient romantics: Though their lovers are “scared of the unknown," both men provide ample security to be safety nets in their relationships. 1 on Billboard’s Country Airplay chart and went on to garner the singer a CMA Award for single of the year -- his first CMA trophy in five years -- as well as a Grammy nomination. The proliferation of her baggy, adrogynous ensembles and Even the final version is hardly Top 40-friendly: the beat is skeletal and spooky, the lyrics are half-whispered, and Eilish and her co-writer/producer brother Finneas didn’t even bother to put vocals on the catchiest part of the song. -- True to its name, “Uno” seems like it’s approximately one minute long (close-ish; add 49 more seconds), fading out as abruptly as it came in. Jackee can’t move forward unless she reconciles with his past, and she’s finally telling this story in the hopes that others don’t have to live the kind of life that she has. -- Part of the success of the original "Con Calma" -- in which Daddy Yankee invites '90s reggae fusion artist Snow to reprise a version of his once pop-conquering Though it’s loud, cracked, and epic in scope, “Not” is as intimate as anything Big Thief singer/songwriter Adrienne Lenker has ever written. The superstar trio took a long break to get a taste of solo fame (Nick), explore funky new genres (Joe’s spunky pop group DNCE) and tackle fatherhood (Kevin). Josh and Chuck have you covered.Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations.Four hilarious and opinionated friends, Ashley Holston, Maame-Yaa Aforo, Shakira Ja’nai Paye and Yazmin Monet Watkins, come together each week for laughs and brutal honesty as they offer their unique perspective and comedic take on the culture.It’s the most powerful position in American politics—and arguably, the world. It’s a vivid description of one of those edge-of-a-cliff moments, those times when people begin to understand where the phrase “my heart is in my throat” really comes from. But “The Git Up” isn’t just a song to dance to – it’s also hellishly catchy, and its fusion of slide guitar with hip-hop beats made it a song listeners with many different tastes could “git” down to. -- English producer and longtime master of atmosphere James Blake creates a dually ominous and alluring mood with "Where's the Catch," from fourth LP The Swedish star seemingly hails from a bygone era of pop: She cut her teeth as a songwriter alongside mega-producers Max Martin and Xenomania, then debuted with the kind of lustrous electro-bangers her home country is famous for. Like the title suggests, Jepsen croons about all the thoughts swirling around her mind as she begins a steady fling: "I think I'm coming alive with you."
The skittering beat could be a SoundCloud rapper's plaything and the freaky vocal samples feel like a hat-tip to Billie Eilish, but it's still 100 percent Tove Lo thanks to the raunchy candor ("Did you go down on his birthday?") Ihr sucht nach dem Namen eines Songs, den ihr in Radio Duisburg gehört habt? -- Smith and Normani teamed up for one of the biggest pop songs of the year with “Dancing With a Stranger.” The sexy earworm includes a standout vocal delivery by the pair, with Smith’s seductive falsetto accompanied by Normani’s smoky counterpart. But the song’s two verses are where the emotional weight of this song packs the biggest punch, for their universality more than their specificity. The pioneer of the personal brand trades her pop fantasies for classic rock nostalgia and mundane everyday routines on this guitar-backed slow-burner.