VIELLE À ROUE ÉLECTRO-ACOUSTIQUE Infos 3 cordes chanterelles Relevage mécanique sur cordes chanterelles 2 cordes trompette sur chevalets mobiles (2 chiens) 1 capodastre coulissant sur corde trompette (de Do à Si) 1 corde “mouche” 3 cordes bourdons Système de réglage de l’appuie des bourdons 8 cordes sympathiques Description Grâce à cet instrument 2 en 1,… It was realized from live captures of the shows « Résonance » (piano, double bass, hurdy gurdy and electroacoustic composition), « Trio Hurdy Pop » and « Quatuor Hurdy Pop - Itinéraires » and from recordings of artists, instrument makers and elector-acoustical composers.The hurdy gurdy is an instrument still little known despite its millenarian history, its different repertoires and its rich musical and creative potential.
It was realized from live captures of the shows « Résonance » (piano, double bass, hurdy gurdy and electroacoustic composition), « Trio Hurdy Pop » and « Quatuor Hurdy Pop - Itinéraires » and from recordings of artists, instrument makers and elector-acoustical composers.The hurdy gurdy is an instrument still little known despite its millenarian history, its different repertoires and its rich musical and creative potential. Installé à Vauban, en Saône et Loire, Jean-Paul DINOTA fabrique des vielles à roue depuis 1990. It is proposed by The Cie Grain de Son and Laurence Bourdin. In her creations, she mixes this instrument with poetry, audiovisual art and dance. La vielle à roue apparaît au Moyen Âge, dès le IX e siècle. Innovateur, il crée différents prototypes de vielles électroaccoustiques mais reste très attaché à la facture des vielles traditionnelles. Innovateur, il crée différents prototypes de vielles électroaccoustiques mais reste très attaché à la facture des vielles traditionnelles. Thanks to these encounters, she began to explore musical capacities of her instrument, trying to find a contemporary composition for the performing arts. All the artistic disciplines benefit from each other to find new sounds and writings. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...). It is proposed by The Cie Grain de Son and Laurence Bourdin.
In her creations, she mixes this instrument with poetry, audiovisual art and dance. It is proposed by The Cie Grain de Son and Laurence Bourdin. Thanks to these encounters, she began to explore musical capacities of her instrument, trying to find a contemporary composition for the performing arts. The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. Innovateur, il crée différents prototypes de vielles électroaccoustiques mais reste très attaché à la facture des vielles traditionnelles.Installé à Vauban, en Saône et Loire, Jean-Paul DINOTA fabrique des vielles à roue depuis 1990. The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. The minimum purchase order quantity for the product is The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy. In 2006, she decided to create the Grain de Son company to promote and broadcast elector acoustic hurdy gurdy.
愛車には愛着もたっぷり詰まっていますので、ずっと乗り続けたいと考えるものです。 が、現実問題として、車を買い換えるという必要性はやってきます。 Contactez-moi pour échanger sur votre projet viellistique ou venez visiter mon atelier.Installé à Vauban, en Saône et Loire, Jean-Paul DINOTA fabrique des vielles à roue depuis 1990. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...). 25 années d'expérience. Thanks to these encounters, she began to explore musical capacities of her instrument, trying to find a contemporary composition for the performing arts. In 2006, she decided to create the Grain de Son company to promote and broadcast elector acoustic hurdy gurdy. In her creations, she mixes this instrument with poetry, audiovisual art and dance. All the artistic disciplines benefit from each other to find new sounds and writings.The DVD Essai[s] Electroacoustique[s] pour Vielle[s] à roue is both a musical piece of work and a documentary to discover for the first time or not the musical possibilities of the hurdy gurdy.
In 2006, she decided to create the Grain de Son company to promote and broadcast elector acoustic hurdy gurdy. However, current possibilities for sound amplification and treatment have already shown that it is a real rhythmic and melodic instrument adapted to contemporary musical creation.For nearly 20 years, the hurdy gurdy player Laurence Bourdin has performed old, current or multicultural music on the 4 continents for different groups (Vieillistic orchestra, Cie Montanaro, Cie Koubi, ARFI...).