The confusion intensifies and causes everyone to suffer headaches and auditory hallucinations ("Mi par d'esser con la testa in un'orrida fucina; dell'incudini sonore l'importuno strepitar.

Almaviva pretends to be too drunk and belligerent to understand, and dares Bartolo to brawl. "; "Don Basilio! Figaro asks Rosina to write a few encouraging words to Lindoro, which she has actually already written.

Basilio leaves and Rosina arrives. "In a public square outside Bartolo's house a band of musicians and a poor student named Lindoro are serenading, to no avail, the window of Rosina ("Knowing the Count only as Lindoro, Rosina writes to him. See also, Also listed as bass by Richard Osborne 1992, p. 311; Charles Osborne 1994, p. 52; and Kobbé 1997, p. 667. Il barbiere di Siviglia (Rossini, Gioacchino) Movements/Sections Mov'ts/Sec's: 2 acts Composition Year 1816 Genre Categories: ... Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc): 21.2.176 Purchase: Javascript is required for this feature. The opera was first performed on 26 September 1782 (old Russian calendar, 15 September) at the Imperial Court, Saint Petersburg. The scene returns to the location of Act 1 with a grille looking out onto the square. Not wanting to leave Rosina alone with the singing teacher, Bartolo insists Figaro shave him right there in the music room. Furthermore, many of the audience The plots of the Paisiello and the The opera proved to be Paisiello's biggest success. Bartolo demands that the Officer arrest the "drunken soldier". ")(May love and faith eternally be seen to reign in us). Almaviva and Figaro climb up a ladder to the balcony and enter Rosina's room through a window.

Bartolo overhears the lovers conspiring, and angrily drives everybody away. Although surprised by Bartolo, Rosina manages to fool him, but he remains suspicious.

Using bribes and threats, Almaviva coerces the notary into marrying him to Rosina, with Basilio and Figaro as the legally required witnesses. Finally, the noise attracts the attention of the Officer of the Watch and his troops, who crowd into the room. However, her fee was too high and in the end they settled on Geltrude Righetti. 曲目は、音楽CD「Rossini: Il Barbiere Di Siviglia」EMI - #54863 / 2000/01/11 指揮：ジャンルイジ・ジェルメッティ、 アンサンブル： Toscana Orchestra の解説書による。 ボーマルシェ、鈴木康司訳 『セビーリャの理髪師』 岩波書店〈岩波文庫〉、2008年7月16日。

Basilio enters; then Figaro, who warns that the noise of the argument is rousing the whole neighborhood. In modern performance the role of Berta is also sung by mezzo-sopranos, and it is listed as mezzo-soprano by Richard Osborne 1992, p. 311. While Bartolo searches his cluttered desk for the official document which would prove his exemption, Almaviva whispers to Rosina that he is Lindoro in disguise, and passes a love-letter to her. Bartolo and Basilio are astonished and mystified; Figaro laughs quietly at them.

Listed as baritone by Gossett & Brauner 2001, p. 776.The very elderly servant yawns aloud a few times, and speaks one or two words expressing his desire to sleep.He has only one solo line, but it's a very significant one.

Rosina accuses Almaviva, whom she believes to be Lindoro, of betraying her.

Rosina believes the story and agrees to marry Bartolo.

None of the added numbers are in the 1953 Ricordi reprint, which divides two acts into two halves each: "Atto primo-parte prima...Atto secondo-parte quarta" To gain Bartolo’s trust, Don Alonso tells him he has intercepted a note from Lindoro to Rosina, and says that Lindoro is a servant of Count Almaviva who has dishonorable intentions towards Rosina. Almaviva again appears at the doctor's house, this time disguised as Don Alonso, a priest and singing tutor who is substituting for the supposedly ailing Basilio. While Almaviva pretends to give Rosina her singing lesson, Figaro arrives to shave Bartolo. (Aria: "A un dottor della mia sorte"; "To a doctor of my class"). Il Barbiere di Siviglia: l’opera maggiore di Gioachino Rossini “Il Barbiere di Siviglia” è una delle opere più importanti di Gioachino Rossini tratta dalla commedia omonima francese di Pierre Beaumarchais.

(Finale: "Fredda ed immobile, come una statua"; "Cold and still, just like a statue"). See The voice types given here refer to the original cast as listed in a 2010 program book from Listed as baritone by Richard Osborne 1992, p. 311; Charles Osborne 1994, p. 52; Gosset & Brauner 2001, p. 776; and Kobbé 1997, p. 310.Also listed as soprano by Gossett & Brauner 2001, p. 776; Charles Osborne 1994, p. 52; and Kobbé 1997, p. 667.