© Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. It’s a perfect Ozzy song, and for all his self-pity, one thing was clear: The Ozzman was back. With “Bad Guy,” she gives her generation the anthem it deserves, hitting Number One three years after she became a SoundCloud cult figure with “Ocean Eyes.” It’s the sound of a home-schooled 17-year-old weirdo turning her diaries into macabre bedroom trap pop, as she whispers, “Make your mama sad type/Make your girlfriend mad type/Might seduce your dad type.” Eilish stands her ground with a bloody nose, bruised knees, and a punk-rock heart. Rema’s vocals bring to mind both classic T-Pain and pop from India; he’s almost smearing rather than singing.
The saccharine and intergalactic beat for “Project Dreams” seemed more up the alley of a pop princess than a dreary West Coast melodist. Produced by Wheezy, the song is built upon dramatic horns and whispered “hot” chants. Send us a tip using our anonymous form. 1 . Brooklyn indie rockers Charly Bliss gave Nineties nostalgia a coat of rhinestones with “Chatroom,” a track off their second album, . It made for the year’s giddiest pop flashback, and the most refreshing.Like so many songs in the Taylor Swift pantheon, “Cruel Summer” sprints on the knife-edge of a crush, reckless, anticipating the wreck, but compelled and consumed by capital-F “feeling.” There’s an acknowledgement that we’ve been here before (“Angels roll their eyes”), and even Swift seems exasperated, crying out in the bridge, “I love you, ain’t that the worst thing you ever heard?” But then the music cuts out, and from the dark comes a sound unlike anything Swift’s ever recorded — a raw, back-of-the-throat howl. Top 50 2019. Fans were left hypothesizing how he would follow the folky glam of his debut, and he delivered with something dance-y and full of joy, confidence, and, of course, light. Letter From Houston The rhymes still rival any MC (“Had a pussy in the kitchen/And a panther in the yard/In the prison of the gifted/I was friendly with the guards”). Todd Williamson/January Images/Shutterstock “I feel like this is the first time there is pure Afrobeats from Nigeria in the pop scene,” Nigerian singer Mr Eazi said of “Como Un Bebe,” his killer transatlantic collaboration with Bad Bunny and J Balvin. In the world of Polo G and Lil Tjay, pain is never far away.“You treat my mind like a hotel room,” Lambert sings in “Mess With My Head.” Over an angular guitar riff and producer Jay Joyce’s atmospheric studio effects, Lambert describes the experience of letting down her guard and embracing the rush of pleasure, even if it was at the expense of her psyche. They were maturing and moving on from their Disney partnership, with dreams of solo stardom. “We sat there silently while you kept your job/And your place and your six-figure wage.” “I have no other way of being able to write now than to be real,” the Welsh-Australian songwriter in April. It sounds just as good as everyone remembered.Six years ago, the Jonas Brothers packed it up. Top 50 2018. “Traumatized, my whole city been through cruelty,” the Chicago MC sings during the chorus. Billie Eilish rose out of the all-American teenage …
On the track — produced by the Irish singer-songwriter’s regular collaborator DJ Parrot — the bass and guitar simmer beneath cascading synths. 1 . Tones And I. 6 à 6 Décompte CKOI Décompte Franco CKOI Nouveautés Top 50 2019 Joué récemment Demandes spéciales .
A ringing double-time pulse arrives out of nowhere, lending the song a delirious edge. And in her mall-goth noir gem “Bury a Friend,” the monster becomes her. Either way it’s thrilling, never more so than during the screamed bridge of “Seventeen,” where she grabs someone else’s eyes and channels the future through them. 6 à 6 Décompte CKOI Décompte Franco CKOI Nouveautés Top 50 2019 Joué récemment Demandes spéciales . “I have a lot more perspective,” just before the song’s release. With one foot in VW’s old sound — departed co-founder Rostam Batmanglij gets a co-production credit — it steps into a brave new jam-band–y world, opening on a gorgeous guitar tapestry (with Dirty Projectors’ Dave Longstreth in the mix) and segueing into a proudly ecstatic noodle-dance groove. After the song went viral on video app TikTok, earning a remix from Cyrus, Lil Nas X became a bona fide pop star, and debates sparked about what “country” is.
It’s followed by a baroque piano breakdown and electric-guitar ascent, suggesting nothing so much as Jerry Garcia’s interplay with Bruce Hornsby atthe Grateful Dead’s nine-show 1991 run at Madison Square Garden, a room Vampire Weekend themselves packed in September.
The saccharine and intergalactic beat for “Project Dreams” seemed more up the alley of a pop princess than a dreary West Coast melodist. Produced by Wheezy, the song is built upon dramatic horns and whispered “hot” chants. Send us a tip using our anonymous form. 1 . Brooklyn indie rockers Charly Bliss gave Nineties nostalgia a coat of rhinestones with “Chatroom,” a track off their second album, . It made for the year’s giddiest pop flashback, and the most refreshing.Like so many songs in the Taylor Swift pantheon, “Cruel Summer” sprints on the knife-edge of a crush, reckless, anticipating the wreck, but compelled and consumed by capital-F “feeling.” There’s an acknowledgement that we’ve been here before (“Angels roll their eyes”), and even Swift seems exasperated, crying out in the bridge, “I love you, ain’t that the worst thing you ever heard?” But then the music cuts out, and from the dark comes a sound unlike anything Swift’s ever recorded — a raw, back-of-the-throat howl. Top 50 2019. Fans were left hypothesizing how he would follow the folky glam of his debut, and he delivered with something dance-y and full of joy, confidence, and, of course, light. Letter From Houston The rhymes still rival any MC (“Had a pussy in the kitchen/And a panther in the yard/In the prison of the gifted/I was friendly with the guards”). Todd Williamson/January Images/Shutterstock “I feel like this is the first time there is pure Afrobeats from Nigeria in the pop scene,” Nigerian singer Mr Eazi said of “Como Un Bebe,” his killer transatlantic collaboration with Bad Bunny and J Balvin. In the world of Polo G and Lil Tjay, pain is never far away.“You treat my mind like a hotel room,” Lambert sings in “Mess With My Head.” Over an angular guitar riff and producer Jay Joyce’s atmospheric studio effects, Lambert describes the experience of letting down her guard and embracing the rush of pleasure, even if it was at the expense of her psyche. They were maturing and moving on from their Disney partnership, with dreams of solo stardom. “We sat there silently while you kept your job/And your place and your six-figure wage.” “I have no other way of being able to write now than to be real,” the Welsh-Australian songwriter in April. It sounds just as good as everyone remembered.Six years ago, the Jonas Brothers packed it up. Top 50 2018. “Traumatized, my whole city been through cruelty,” the Chicago MC sings during the chorus. Billie Eilish rose out of the all-American teenage …
On the track — produced by the Irish singer-songwriter’s regular collaborator DJ Parrot — the bass and guitar simmer beneath cascading synths. 1 . Tones And I. 6 à 6 Décompte CKOI Décompte Franco CKOI Nouveautés Top 50 2019 Joué récemment Demandes spéciales .
A ringing double-time pulse arrives out of nowhere, lending the song a delirious edge. And in her mall-goth noir gem “Bury a Friend,” the monster becomes her. Either way it’s thrilling, never more so than during the screamed bridge of “Seventeen,” where she grabs someone else’s eyes and channels the future through them. 6 à 6 Décompte CKOI Décompte Franco CKOI Nouveautés Top 50 2019 Joué récemment Demandes spéciales . “I have a lot more perspective,” just before the song’s release. With one foot in VW’s old sound — departed co-founder Rostam Batmanglij gets a co-production credit — it steps into a brave new jam-band–y world, opening on a gorgeous guitar tapestry (with Dirty Projectors’ Dave Longstreth in the mix) and segueing into a proudly ecstatic noodle-dance groove. After the song went viral on video app TikTok, earning a remix from Cyrus, Lil Nas X became a bona fide pop star, and debates sparked about what “country” is.
It’s followed by a baroque piano breakdown and electric-guitar ascent, suggesting nothing so much as Jerry Garcia’s interplay with Bruce Hornsby atthe Grateful Dead’s nine-show 1991 run at Madison Square Garden, a room Vampire Weekend themselves packed in September.