I'm having fun writing in here — thank you, gentlemen!”All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. We were also a little concerned that using the monitors on their sides would restrict the width of the sweet spot unnecessarily, but we could also see that setting them up normally would place the tweeter too high, as the stands needed to be tall enough to clear the large monitor screens Hans was using.Leaning forwards or backwards by around 18 inches was enough to get the listening position clear of the dead spot, so we asked Tom if we could claw back a little space by taking down the blackout curtain over the window, then moving the table towards that wall as far as it would go, which gave us around 12 inches of extra space. Hans Zimmer's studio has features a Jomox SunSyn. He even thought inverting the speakers was a good idea. Accepting that this was a quick and dirty solution, and that the panels would need to be taken down again once the project was completed, we asked Lorne to evaluate the improvements. We simply used old CD‑Rs stuck to the back of each panel for hanging them, and these slotted perfectly into the rail. Given the small size and fairly solid walls, this would probably result in a significant bass null at the listening position. The Hans Zimmer Spitfire range. Tom thought this sounded like a good plan and said he'd have it done by the time we returned to finish the job. more. According to this article, Hans Zimmer utilizes an Access Virus B in his studio… Hans Zimmer hat über 120 Filmmusiken komponiert, die an den Kinokassen über 24 Billionen Dollar weltweit eingespielt haben. When legendary film composer Hans Zimmer asked us to help improve the acoustics in his temporary London studio, we were only too happy to oblige!Our readership at Sound On Sound is nothing if not eclectic, spanning buskers, bankers, doctors and music professionals. We figured that two of these frames on each side of the room at the mirror points, with two more behind the listening position, would be enough to tame the room ambience and to allow us to dispense with the rather oppressive blackout curtains.It was around this point that Hans arrived, so we discussed our findings with him and he seemed generally amenable to our proposed changes.

As the rest of the movie sound for the current project was being done at De Lane Lea, it made more sense to be on site, especially with such a tight deadline.A few days later (at the same time as the London riots, as it happens! Credits for 'Lillie Yard' can also go in this profile. "Equipboard breaks down the gear, tools, and products used by artists, pros, and influencers in their craft.Equipboard breaks down the gear, tools, and products used by artists, pros, and influencers in their craft. ), and another hung on the left‑hand door using a discarded CD‑R and an existing picture hook.That left Lorne Balfe's room to deal with, but, fortunately for us, Tom had moved Lorne's system around after our first visit, so that the speakers were now pointing down the long axis of the room, and they'd already hung blackout curtain on what was now the rear wall. Here's what Hans had to say about his newly improved suite: "I knew we were going to have acoustical problems moving from our studio in Santa Monica to a small cutting room in London.

Curving the foam out so that it protruded from the wall, rather than simply hanging flat against it, made it more effective at absorbing lower frequencies.With Tom Broderick's help, one last piece of foam was stuck to the ceiling, at the mirror point above Hans' listening position.Hans' suite, after the improvements were made. We couldn't carry enough frames to do both rooms, so for Lorne's room we simply used flat panels hanging against the walls.We found another of those useful aluminium rails running along the wall behind the front speakers, so we were able to hang four widths of foam from that, each being made from two panels glued together along one edge and again supported with cardboard bracing on the back, to reduce reflections from the bare wall and to help dry up the overall room ambience. it's a walkthroug...What kind of Keyboards and Synthesizers does Hans Zimmer use? "It featur...This image is of Hans' studio, and straight ahead in front of the chair you c...The first synth on the left of the picture is a Tinysizer. We did, though, manage to re‑orientate Lorne's production room, which worked very well.In Hans' room, the existing setup comprised a large table to hold three monitor screens, and also to support a pair of shortened speaker stands holding up the Questeds, which Hans had arranged on their sides to give him plenty of stereo width, and to bring the tweeters down more into line with where he needed them. Our readership at Sound On Sound is nothing if not eclectic, spanning buskers, bankers, doctors and music professionals. Again, foam tiles were hung on the walls to minimise early reflections, and we suggested that he truncate his speaker stands so that the monitors could be more ideally positioned, as Hans had done in his own room.Lorne Balfe, Hans Zimmer's co‑composer for the second Sherlock Holmes film. The YouTube video covers the Chris Nolan's concepts of what the motion pictur..."Zimmer does his MIDI arrangements and editing in Cubase, and his audio work ...Hans Zimmer used Cubase as DAW whyle working on InceptionShow at most of his video.Just behind his Work setup.Photo of Hans Zimmer in a The Buggles period, playing on a Yamaha CP-70What kind of Gear & Equipment does Hans Zimmer use?2:00 "I'm Hans Zimmer, and this is my master class.